Semi-Finals #2: Discipline Vs. In The Court of The Crimson King

After submitting my last article an observant reader made this comment:
"Red is emotional in a more direct way, the lyrics are clear and the vocals up front. His voice on Larks sounds distant and pretty meek. I could sing you most of Reds lyrics and none from Larks except for the "Ea-syyy Mo-neyyyy".
The mixing sets Red apart too, I guess."

While I could recall the majority of Easy Money's  lyrics I think the reader made a spot on observation about how Lark's Tongue in Aspic was mixed compared to Red.  It just goes to show how important mix can be in creating a great album, and how the mix of an album can reflect the emotion and feeling of an album.

These are two different concepts.  A bad mix is just a poor balance of sounds, either due to a lack of know-how or budget restraints.  A poorly thought out mix is different, as the mix can be reflective of the mood of an album.  Sometimes a rough mix better reflects the feel of the music, and sometimes it benefits from a clean sounding mix with everything being truly distinguished.  While the later concept is purely subjective you sometimes get the feeling the musician or producer either gave the mixing stage a big 'ol "aw fuck it" or had a far different idea for their music than the listener did.

VS 

Saturday Night Hype Masters 12-28-2013 (Noisia)

Alright, y'all...it's time for another 5 hit combo of hype shit to get you ready to take on yet another Saturday Night! This time, your fuel for the fire is none other than Noisia! Jacks of all trades, they can handle multiple genres and still get the groove goin'! Even got some music in a couple games, too! Check 'em out in the later entries in the "Wipeout" racing game series, and their original music score for the Devil May Cry reboot! So get to listenin' and I'll see you all next week AND next year!

-Kenny Riot-

The Tournament for the Court of the Crimson King Semi-Finals: Lark's Tongue in Aspic v Red

So just to get everyone back to speed I have revised the bracket.   Because of my terrible art skills it still looks modestly like garbage, but this is the tier of quality equated with Riff 'N Ralk Music Tock

Before we begin with our semi finals I wanted to share a quote from someone who has been reading this feature since I started it in September (thanks!)
"While I disagreed with a couple of the first round results, I like your final four and based on that bracket setup mine would've ended up the same. "

I think that this is a sentiment that could be shared across most Crimson fans.  While I know some would disagree with my first round choices I think we have the best four albums here at the end.  Each showcases Crimson at its peak in for one reason.
In The Court Of The Crimson King for its quintessential progressive rock nature.
Lark's Tongue in Aspic for its encapsulation of their improvisational nature
Red for being the final evolution of the British progressive invasion
Discipline for showing that progressive means more than 15 minute songs about fighting dragons

Let us begin the finale
  VS 

I Hate Christmas Music – Except for Bob Dylan's Christmas in the Heart

It's that time of year again where Christmas music is inescapable. If you've put on Sunny 99.1 lately you won't be hearing the tuneful melodies of soft rock icons like Phil Collins or Michael Bolton. Instead, you'll be hearing the wretched tones of “You're a Mean One, Mr. Grinch!” or “Baby, It's Cold Outside.”

That's right. Wretched tones. I'm calling Christmas music out because frankly it sucks. I'm not convinced a legitimately great, or really even good, Christmas song has ever been written, and I grow more sure of this every insufferable year.

There is, however, one man who managed to inject enough whimsy, enough wackiness, and enough self-effacing ridiculousness into Christmas music to make it bearable: Bob Dylan, whose own Christmas in the Heart should set the tone for any and all Christmas music written in the future.

Saturday Night Hype Masters 12-21-2013 (Original Sin)

A'ight, y'all! Kenny Riot is back again with a brand new fiver for y'all, tonight! This time, we're gonna skank to the fine musical stylings of Original Sin. He's got a wonderful energetic style that has mostly fueled the "Jump Up" style of Drum & Bass, but he's also done work in the Dubstep and Drumstep genres, and doesn't slack even so much as a little, there. So, tonight, get yourself hyped up with this playlist before you go off doin' whatever it is you're gonna be doin' tonight! Catch you next week!

-Kenny Riot-

Round 2 Finale: Happy With What You Have To Be Happy With vs Lark's Tongue in Aspic

A commenter made a valid point the other day about this whole project stating that comparing some of these albums is like comparing two different bands.  He was absolutely right in his statement, that in essence every time King Crimson reforms it is almost as if a new band is there, that is the essence of the group.  With that said I still find it appropriate to create these comparisons, despite the huge differences there are many similarities as well.  Fripp has the tendency to write Crimson material is specific ways.  Not only that, but it is still quite feasible to explore the quality of execution of each album.  Some of that is interpretation on my behalf, but in essence all art journalism is (is this journalism?).

 VS 

Saturday Night Hype Masters 12-14-2013 (Gridlok)

'Sup, y'all? So, a while back, Alex asked me if I'd be interested in doin' some shit for Riff 'n Ralk Music Tock, and I agreed, but I racked my brain for a while to figure out WHAT to do, exactly. So, Startin' today, I'm gonna set up 5 track playlists focusing on artists and producers I think are dope as hell and that you should try out. For this first entry, we're gonna go with one of my personal favorites, Gridlok. Get ready for some deep ass Drum & Bass to get you hyped up for Saturday Night! So get to listenin' and enjoy this first installment of "Saturday Night Hype Masters"!

 -Kenny Riot-